Moreland Summer Show 2020 Noel Counihan Commemorative Art Award, Brunswick
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Solitude and Solace
Solitary walks during the winter months throughout the streets of Brunswick and Royal Park are the basis for these small intimate embroideries. 'A Foggy day in Brunswick' are two imaginary maps depicting dense urban environments with possible routes to greener spaces. Pale winter mists dampen the laneways and solace is found in the majesty of trees.
Embroidery thread and mesh. Both embroideries are 10 cm x 10 cm.
Sample/Together combines diagrams, textile and paper craft processes with new and recycled materials to create a collection of interrelated samples or ‘one offs’. These interrelated drawings and forms, reference collage, and the assembling and juxtaposing of sample against sample, to create endlessly flexible wholes. Grid layouts, diagrams and circular forms feature throughout and while there is replication, variation abounds. Inspired by the display tables and cabinets found within museum contexts, Sample/Together forms an archive of process, a record of action and documents the potential of patterns to create new hybrid forms.
Light Drawings created at J ulia Street Creative Space, Portland, Victoria. Photographs, emulsion, pencil, varnish. Light Drawings - J ulia Street Creative Space, Portland, Victoria
An exhibition with Sandra Tobias. Textiles and drawings. Deb K Williams responds to the connection between various textile processes and drawing, and the contemplative, meditative nature of these activities. Using graphite, natural dyes, inks, acrylics and collaged felt, silk and cotton, the works reflect an interest in hybrid forms and more broadly the delights and strangeness of the natural world. Much of the work attempts to evoke the forms and textures of nature and increasingly issues of sustainability, ecology and inter-connectedness are examined. The embroidered ‘maps’ reflect upon the increasingly dense and vaguely toxic urban environments of inner cities, where the routes to greener spaces are ever diminishing but increasingly necessary. The graphite drawings form part of a larger body of work that reinterprets a personal archive of actual and imagined landscape images. They are maps of imaginary but familiar worlds and respond to memory, atmosphere and place.